| We are going to see more designs and types of | | | | After about 1800, square legs were replaced by |
| furniture, which came up into prominence in the | | | | turned ones with reeding. Sheraton's most |
| eighteenth and nineteenth century. Some of these | | | | characteristic chairs have rectangular backs with |
| people were very influential and powerful as well. | | | | horizontal bars. Use was made of satinwood, as well |
| They were the Adams, the Hepplewhite, and the | | | | as the more general mahogany, either painted or |
| Sheraton, King William IV and the early Victorian. | | | | inlaid or left quite plain. |
| They encouraged their own styles of furniture. | | | | Regency (1800-1820) |
| Later Georgian | | | | The Regency style is a combination of at least three, |
| Adam, Hepplewhite and Sheraton (1770-1810) a | | | | or any one may be found alone in apiece made |
| number of styles succeeded and partially overlapped | | | | during the period. The three principal styles are, |
| each other during these years. | | | | Greek and Roman: figures of mythological gods and |
| Adam | | | | goddesses, the lyre (used as the shape of |
| The Adam brothers, Robert and James, were | | | | table-ends), the lion's-paw foot. |
| primarily architects, but their interest in design did not | | | | Egyptian: sphinxes, Egyptian heads and feet as tops |
| stop with the building itself. Not only did they plan the | | | | and bases of columns; crocodiles. |
| layout of their mansions, but usually they decided the | | | | Chinese: Chinese patterns, shapes and colors; of |
| decoration and coloring of the principal rooms and the | | | | which the contents of the Pavilion at Brighton are |
| furniture to go in them. Their work was inspired by | | | | outstanding examples. |
| ancient Greek and Roman art, and most of their | | | | All types of unusual woods were used, as well as |
| decorative ideas were borrowed from those sources. | | | | mahogany, and there was frequent use of brass for |
| The honeysuckle (anthemion), the ram's head and | | | | inlay and gilt bronze for mounts. Chairs were smaller |
| hoof, and garlands of husks are typical features. The | | | | in size than in earlier periods, which explain why they |
| work of the Adams was carried out between 1760 | | | | are so very popular today. Early Regency chairs had |
| and 1790 and many of their designs for furniture | | | | legs shaped like a curved sword (the saber, after |
| were actually made by Thomas Chippendale's firm. | | | | which they are named), but later they were turned. |
| Hepplewhite | | | | William IV and Early Victorian (1820-1840) |
| George Hepplewhite was a cabinet-maker whose | | | | Much of this furniture can be confused with that |
| business was run later by his widow, who published a | | | | made earlier in the Regency period. Although many of |
| book of his designs. These show pieces of simple | | | | the designs are similar, they were carried out in a |
| form and small size; one of the most noticeable is | | | | much heavier manner, and chairs, tables and other |
| perhaps the chair with a heart-shaped or a | | | | pieces are coarser and clumsier in appearance. The |
| shield-shaped back. Sometimes the shield holds a | | | | saber leg was no longer used, and almost all furniture |
| pierced and carved Prince-of-Wales feather. | | | | had turned supports, often tapered and carved. |
| Sheraton | | | | Every artist gets inspiration from different sources. |
| Thomas Sheraton published his first book of patterns | | | | The Adams were inspired by the ancient Greek and |
| in 1791. His designs show furniture that is much more | | | | Roman art. One of the most noticeable works of |
| slender in line than hitherto, and he led a return to | | | | George Hepplewhite is perhaps the chair with a |
| the use of" inlay; with this his name seems to be | | | | heart-shaped or a shield-shaped back. Sheraton's |
| linked inseparably. Inlay often took the form of cross | | | | most characteristic chairs have rectangular backs with |
| banding and stringing, and a common feature was an | | | | horizontal bars. |
| oval shell of satiriwood, scorched to imitate shading. | | | | |