Stained Glass Studio Humor Helps To Overcome Adversity - Don't Be Like Milo

Back in 1985, I had an experience which really was aa very nice round pattern of a scene with ducks in it
set back for me. It was at a time when a lot offor his first project. He enjoyed the process of
pressure was building. I wasn't sure which direction Iselecting the glass and really understood the concept
wanted my stained glass art to go. We hadof cutting out his pattern pieces and tracing them out
experienced a house fire and I needed toon glass. Then he began to cut his glass.Now, we had
concentrate on rebuilding. I had sold the video rentalalready taught him how to cut glass before he laid a
part of our business, which was also the part thatcutter on glass which he had purchased and he had
brought in income on a consistent basis. But I stilldone okay, but as he began to cut his pieces out, he
loved stained glass, it was just that the shine wasvaried from the instructions we had given him. I told
starting to wear off, it wasn't as funMilo, he should push the cutter away from himself so
anymore.Someone once told me that anything youhe could see where the wheel on the cutter was
do to earn your living will eventually become a job.going, but Milo felt is was easier to pull it towards
And I guess that was happening to me, my art washimself. Then, I had taught Milo to tap under the
becoming my job and I spent more time trying toglass to get the score to run so that he could tap
make money, than trying to make good art.But itdirectly under the score and get a nice, clean break.
was still fun, there was always a renewal ofMilo figured it was easier to turn the glass upside
excitement when we began to teach a new seriesdown and lay it on the table and tap it from that
of classes because the students would bring theirside. Consequently, his tapping was often not directly
enthusiasm with them and Jeanne and I would beunder the place scored and his glass often broke in
reminded all over again about what a great andthe wrong place.Mistakes happen when learning a
fantastic art form stained glass constructionnew skill, but Milo wouldn't listen. As hard as we tried,
was.Then Milo came and took classes. He walked intoMilo was going to do it his own way. I said push, he
the studio in his "Missouri Tuxedo." That's a pair of bibpulled, I said tap from the bottom, he tapped from
overalls. He wore no additional shirt over his quitethe top. When he broke a large piece of glass which
large frame and he was barefoot. He looked a littlewould be the sky in the window, I offered to give
like Santa Claus on vacation with his white flowinghim a new piece of glass. But of course, Milo refused,
beard and round tummy. He began to ask us aboutinstead he just jovially said, "No, that will just be
stained glass and he caught the excitement of theanother lead line." And so his project went, one badly
vision of being able to create his own work of art.broken and shaped piece after another, with "new
So we invited him to join with us during our nextlead lines" springing up whenever a mistake was
class and he came. We were happy to have him, butmade.Milo was having so much fun, he decided to
we cautioned that you have to wear shoes in atake his project home and foil and solder it there. At
stained glass shop and that a shirt was also a goodthat point, I figured it couldn't hurt, he didn't listen to
idea.Milo showed up at the appointed hour, full ofa word of advice anyone gave in class.I was wrong.A
enthusiasm. He brought his wife along, just to watch.day or two passed and Milo returned with his
That was a common occurrence in Missouri, a way tocompleted project. He had foiled and soldered it at
get good value from your dollar and give yourhome.
spouse a chance to get out of the house. Milo chose