| Introduction: | | | | shown on a |
| After working with hundreds of executives on | | | | standard NTSC video monitor. LCDs, LEDs and |
| every rung of | | | | VGAs all do |
| the corporate ladder, I've been a witness to some | | | | a better job compared to traditional video but it |
| of the best | | | | never hurts to |
| and worst presentations ever created with | | | | fatten up those borders and edges a little.A second |
| Microsoft | | | | case for sticking with basic fonts has to do with |
| PowerPoint. The program is so evolved these days | | | | the "font load." Every PC comes with certain |
| that | | | | universal fonts. |
| there are tools, effects, transitions and settings | | | | As time passes, most PC users add fonts they find |
| available | | | | around |
| that will either help or hinder your effectiveness as a | | | | the Web, or fonts are added automatically from |
| | | | programs |
| presenter. Everyone wants to have a powerful | | | | they install.Unless you will be presenting from your |
| presentation, | | | | own PC, be very |
| and there are some very simple ways to accomplish | | | | wary of using any fonts outside that standard font |
| this.First of all, keep in mind that the audience is not | | | | load. |
| assembled | | | | Microsoft PowerPoint automatically replaces any |
| to watch a slide show. There is nothing more sleep | | | | fonts, |
| -inducing than a dimly lit room and dull, | | | | which do not exist on the "show" PC with something |
| content-cluttered | | | | simple. |
| slides after a hot lunch. Take it from a frequent | | | | Your material won't disappear, but it may not look |
| napper in Art | | | | the same |
| History 101!With great tools it is all too easy to | | | | as it did when you created your slides.There are |
| forget that the message | | | | many times a font switch can go unnoticed - |
| you are delivering is coming from Y-O-U. You know | | | | going from Helvetica to Arial is practically an even |
| the | | | | swap to |
| material inside and out! See yourself as the focus of | | | | the untrained eye. Other times, it can wreak havoc |
| the | | | | with your |
| show, and use support tools like Microsoft | | | | word wrapping; throwing previously "safe" text off |
| PowerPoint to | | | | the bottom |
| reinforce the key elements of your presentation -- | | | | of the screen in older versions of PPT, or making it |
| to be your | | | | size |
| backup singer while you stand front and center.Now | | | | down in the newer versions. It's always a good idea |
| doesn't that make you feel a little special? It should! | | | | to |
| For whatever reason it may be, you have been | | | | punch through your slides before presenting on the |
| asked to | | | | "show" |
| speak as an expert; to weigh in with your opinion; | | | | computer.This is a good place to talk about size. I |
| to share | | | | mentioned earlier |
| your discoveries; this is your time in the spotlight so | | | | why creating slides nobody can read is a |
| let the | | | | presentation |
| software and laser pens support your performance | | | | disaster. With fonts, bigger is better. There is |
| and not | | | | undoubtedly a |
| overpower it.Keep It Simple, Superstar: | | | | fine line between large, and "horsey," or too large. |
| A good place to start is by looking at the amount | | | | One old |
| and | | | | trick to check for readability is to pull up your |
| complexity of the material you need to present. An | | | | presentation in |
| easy way | | | | the Slide Show mode, then lean back from your |
| to keep your presentation from becoming an | | | | monitor and |
| uncontrollable | | | | squint. This simple exercise will show you what your |
| monster is to remember the six-by-six guideline. Six | | | | projected image will look like to someone in the |
| bullets | | | | back row of |
| to a slide, six words per bullet. This is a simply brilliant | | | | your audience. Screen sizes on location are chosen |
| way | | | | based |
| to avoid the dreaded "Presentation Karaoke" | | | | on the size of the room so this works whether |
| syndrome -- a | | | | you're |
| speech where either the presenter reads directly | | | | presenting in a boardroom, or a ballroom. The |
| from the | | | | dynamics of |
| slide or the audience reads along with the presenter | | | | screen distance to screen area are relative from a |
| -- or | | | | 32" video |
| both! Six-by-six works so well, it is taught as a | | | | monitor to a 9' by 12' screen.In general, I find |
| presentation | | | | headlines between 34 and 40 points, and |
| model in many communications seminars throughout | | | | body text of 28 to 34 points usually show quite well. |
| corporate America. Can you go five-by-five or | | | | For title |
| seven-by-seven? Of course you can. Any individual | | | | slides, I head to the 60-point range for names and |
| slide | | | | 40 to 50 |
| may need adjustments as you go along but by | | | | points for title, division and company.Table Times: |
| keeping the | | | | Call me a neat-freak, but I'm a big fan of tables. |
| six-by-six guideline in mind you're guaranteed to | | | | Whenever |
| keep the fat | | | | you have information which needs to line up in |
| trimmed from your presentation.Let's add sub-bullets | | | | columns -- |
| to the mix. I try to avoid subs, but | | | | use a table! Spacing out your columns within a text |
| sometimes that is impossible. When subs are | | | | box |
| involved, I | | | | might get it "close enough" but is that really "good |
| keep them the same size or just slightly smaller as | | | | enough?" |
| the | | | | Dropping a table onto your slide will ensure your |
| regular first-line bullet text, and let the indentation tell | | | | decimal |
| | | | points line up, and using right justify on a left side |
| viewers the next line is a sub. The default templates | | | | column |
| often | | | | and left justify on a right side column will make |
| reduce subs into the unreadable zone.If you find | | | | comparisons or "versus" lists a cinch to read.Using |
| yourself going to a second or (yikes!) third | | | | tables will also help you avoid the formatting mess I |
| sub-bullet, you need to re-work your material. | | | | mentioned earlier when dealing with missing fonts. |
| Perhaps by | | | | Your |
| changing the headline to a shortened version of your | | | | sizing and style may change, but to borrow from |
| first full | | | | Led |
| bullet, or losing the first actual "bullet" to create a | | | | Zeppelin... The table remains the same.Background |
| sub-head. | | | | Check: |
| I find that presenters often create a headline and | | | | There are many presenters who use customized |
| hold it | | | | backgrounds and templates these days from |
| through an entire section. A full page "chapter" slide | | | | royalty-free |
| at the | | | | websites around the world. While I |
| beginning of a new portion of material will allow you | | | | whole-heartedly support this idea, it should be said |
| to then | | | | that a |
| change each subsequent slide headline and make it | | | | colorful photographic background might not be your |
| more | | | | best |
| custom to the material in the bullets below. In a fluid | | | | friend without some minor tweaking.Make sure your |
| | | | presentation text has high-contrast when |
| presentation your audience won't forget your | | | | using a custom background, template, or even a |
| subject."But, but, but... If you have the space, why | | | | basic |
| not use it?" The | | | | background color. If you have a dark color like |
| answer is simple. Your slides are there to drive home | | | | corporate |
| or | | | | blue, maroon or purple, go with a light font like white |
| re-state important points, to help with keywords a | | | | or |
| note-taking audience member should jot down, and | | | | mustard yellow. A light background would call for |
| to | | | | darker |
| preface or summarize your presentation or | | | | lettering. A background color in the middle range |
| "chapters" | | | | (with a |
| within. There's nothing worse than having so much | | | | luminosity comparable to "middle gray" for you |
| on a | | | | photographers out there) can often set off either a |
| slide that you either cannot get through the material, | | | | light or |
| or the | | | | dark font. Contrast is the key!If you have your |
| audience cannot read everything because the font is | | | | heart set on a busy photographic |
| too | | | | background, try creating a large semi-transparent |
| small.In an average presentation, a speaker will hit | | | | text area |
| two to three | | | | in the center by using the drawing and fill tools. This |
| slides a minute. That alone will guide you into | | | | is |
| choosing | | | | called "screening back" in the world of print, and it |
| your words carefully to cover everything you put | | | | will allow |
| on the | | | | a "taste" of the pattern or photo to come through |
| screen. If you don't plan on speaking about | | | | without |
| something, or | | | | muddling your words. If you have access to a paint |
| assume you will skip through certain segments, | | | | program |
| remove | | | | like Adobe PhotoShop, you can create some |
| that material from your slides. Bullet points remaining | | | | stunning |
| untouched will leave your audience asking mental | | | | backgrounds using blurs, overlays and tints with the |
| questions instead of listening to you!Charting a | | | | simplest of tools and filters. I like to have a clear |
| Course to Success: | | | | image for |
| Here is a pet peeve of mine I see far too often. A | | | | the MTL, then a blurred, screened or otherwise |
| chart with | | | | affected |
| so much information on it that nobody in the | | | | complimentary image for the text slides.Fear of |
| audience would | | | | Flying: |
| be able to take it all in during the short time it is | | | | I saved this subject for last because I think it's |
| onscreen. | | | | where most |
| Not to name names, but financial analysts and | | | | people go awfully wrong! Think about all the |
| engineers | | | | television |
| with timelines tend to be the biggest offenders | | | | programs, commercials, movies and sporting events |
| when it | | | | you |
| comes to charts! Granted, there is value to showing | | | | watch. Now try to recall the last time you saw a |
| a | | | | clock wipe, |
| trend-line over a period of time -- any stockbroker | | | | mosaic blocks, or barn doors to transition from |
| will tell | | | | one scene to another -- or to bring text on and |
| you | | | | offscreen. If |
| that. Obfuscation typically occurs when too many | | | | you're like me, it has been a while! In the same way |
| ticks are | | | | a |
| labeled. This can leave a junkyard of 10 point, aliased | | | | person who is new to videography tends to lie on |
| text | | | | the zoom |
| that does nothing but look horrible.The fixes are | | | | in / zoom out button, people who want to add |
| easy. If your trend is over twenty years, just give | | | | "pizzazz" to |
| us five year labels. We realize the spaces between | | | | their presentation tend to heap on the wacky |
| are | | | | transitions!For the record, here's an opinion of mine. If |
| non-labeled years. If you have a particular peak or | | | | you have ever |
| valley, call | | | | used 'Random Transition" within a presentation you |
| it out in the chart area rather than on the axis. Put a | | | | should |
| star at | | | | have your mouse and keyboard crushed into |
| the peak or use a different colored line for | | | | unusable |
| emphasis. If your | | | | shards of plastic. Just. Say. No. The last train to |
| budget goes from zero to $1,000, just give us $0, | | | | Effortville |
| $500, and | | | | just left and you were not on it.A simple dissolve, or |
| $1k. Label your bars with "Show Value" instead. | | | | even a Wipe Right / Wipe Left is a |
| Trust me | | | | communications convention we are all so familiar |
| when I say anyone with particular questions about a | | | | with that it |
| chart | | | | happens without bringing attention unto itself. Why |
| will seek you out after the program, bring it up in | | | | would |
| Q&A, or | | | | you add a transition that shocks the audience out of |
| e-mail you about it later.If you're the type to put a | | | | "show |
| chart into your presentation then | | | | mode" where they were concentrating on your |
| say onstage, "I know you can't read this, but..." Do | | | | material, and |
| something about it before hitting the podium. By | | | | into "what the heck was that" mode? It's the |
| admitting to | | | | equivalent of |
| the audience that your chart is useless, you're also | | | | hearing a cell phone ring at the theater -- it takes |
| saying | | | | you out of |
| you don't value their time. Dropping off some data | | | | the story and back to reality; and that's certainly no |
| and | | | | way to |
| increasing the size of the remaining font should do | | | | drive home your point at the end of a slide!Similarly, |
| the trick, | | | | animating text should be done with much |
| and it doesn't take much work. For particularly | | | | forethought. PowerPoint is slick enough at this stage |
| complex | | | | that |
| charts and graphs, create two versions! With a | | | | you can produce some very clever, professional |
| simple on | | | | text effects. I |
| screen version and a complex, fully labeled handout | | | | personally like an occasional fly from any given side |
| version | | | | to |
| you have the best of both worlds.Another | | | | create a little "wow" when called for, but my old |
| suggestion for charts and graphs is to remain flat. | | | | standard will |
| The 3-D options can look good in bar charts and | | | | always be the Wipe Right. With a television |
| pies, but in | | | | production |
| my opinion nothing beats a clean, flat 2-D chart with | | | | background, that's how we always read on bullet |
| high-contrast labels.Fontastic Results: | | | | points |
| Fonts are a tricky beast. A creative font style you | | | | from the character generators on location or in the |
| might find | | | | studios. It |
| clever or "cutting edge" while polishing your | | | | is still probably the most-used convention for bringing |
| presentation on | | | | text |
| the plane is likely to come off as silly when it hits | | | | onto a program. Take a look at tonight's television |
| the screen. | | | | news and |
| Creative fonts are also hard to read when used as | | | | see which transitions they use repeatedly.The |
| body or | | | | bottom line with motion is that it should always |
| even smaller headline text. An exception to using | | | | enhance your material; not detract from your |
| standard, | | | | presentation.That's a Wrap: |
| clean typefaces like Arial, Palatino, or Trebuchet | | | | Each presentation by every presenter will be |
| would be | | | | different. We |
| for large title slides or for Meeting Theme Logos | | | | create guidelines like these knowing they have |
| (MTLs) | | | | latitude to be |
| which sit onscreen as your audience comes in to, | | | | ignored when the need arises. Understanding why |
| and | | | | powerful |
| leaves the room. Other than those two situations, | | | | presentations work, and why others fail is like |
| it's safer | | | | peeking |
| to stick with simplicity.How about using Times or | | | | behind the curtain at a magic show. In the end, the |
| New York for a typeface? Fonts | | | | goal is to |
| with a serif (the little hooks and slants on the ends | | | | create a shared experience between presenter and |
| of the | | | | audience. Microsoft PowerPoint can do wonders in |
| letters) are fine to use in larger sizes -- let's say 32 | | | | the right |
| points | | | | hands. But just as a chef must learn his kitchen |
| and higher. The problem with using smaller serif | | | | tools, |
| fonts is | | | | successful presenters must learn the tips and tricks |
| that the thinner points in the ascenders and | | | | of |
| descenders | | | | using today's presentation tools.And never forget... |
| (the lowercase j or top of the f for example) can | | | | You are the star of the show.I hope this column |
| basically | | | | helps you to stay on-point, next time you |
| disappear on-screen depending on the chosen face. | | | | PowerPoint.Gary Lewis is a graphic designer with |
| Obviously, losing your type is not a best case | | | | over twenty years of |
| scenario. Any | | | | experience in television production, post production |
| font (or graphic device like an arrow shaft or the | | | | and |
| outline of a | | | | presentation design.For creative, Royalty-Free |
| shape) which is thinner than 2 points, is very likely to | | | | backgrounds and stock photos |
| | | | (and plenty of free samples!) visit Pro Background |
| disappear when projected, or to vibrate when | | | | Art today! |